PARTICIPANTS
At the
Seventh Edition of The Haiku Contest
SHARPENING THE GREEN PENCIL 2018
organized by Romanian Kukai Group have
participated
269 participants from 6 continents and 50
countries.
as follows:
AFRICA:
Ghana (1), Kenya (1), Nigeria (2), South
Africa (1), Unganda (1);
ASIA:
Bangladesh (1), China (1), India (13),
Indonesia (2), Iran (1), Japan (2), Mongolia (1), Pakistan (1), Philippines (4),
Singapore (1), Thailand (1);
AUSTRALIA:
Australia (13), New Zealand (6);
EUROPE:
Austria (1), Belarus (1), Belgium (5),
Bosnia and Herzegovina (1),
Bulgaria (4), Croatia (43), Cyprus (1),
Finland (1), France (5), Germany (7), Ireland (3), Italy (10), Latvia (1), Lithuania
(8), Macedonia (5),
Montenegro (3), Norway (1), Poland (11),
Romania (14), Russia (3),
Serbia (4), Slovenia (3), Spain (4), Sweden
(1), Switzerland (3), Ukraine (2), United Kingdom (11);
NORTH AMERICA:
Canada (7), Curaçao (6), Netherlands,
Bonaire (2),
United States of America (45);
SOUTH AMERICA:
Colombia (1)
The organizers would like to express
their gratitude to the participants for such a large interest and invite
everyone to participate in the seventh edition,
which will start in February 2019.
Corneliu Traian ATANASIU, President of
the Jury
Cezar Florin CIOBÎCĂ, Member of the Jury
Dan DOMAN, Member of the Jury
Eduard ŢARĂ, Secretary,
Cristina Oprea,
Ana Drobot
Congratulations to the winners and
commended haiku poets.
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First Prize
frozen trough
I cup the warm breath
of my horse
Debbie STRANGE
Winnipeg, CANADA
The
winning poem drew me towards it due to the delicacy of the picture presented,
through the close connection between man and animal. The horse and its master
have set together on the road, and they stop for a moment to rest and drink
water, but, because of the low temperatures the trough is frozen, so the
animal cannot drink. The master, however, probably numb with cold, gets
warmed somehow by catching the breath of the faithful animal in the palm of
his hands.
The
two parts of the poem harmoniously weave around the complementarity
death-life (standing still versus animation) in a wintery landscape whose
glacial stiffness the reader can feel through his skin, due, partly, to the
alliteration of the consonant “r” which appears five times in the poem. It
can be speculated that the man, being too old and tired, or even ill, is
reanimated, and, why not, put back on his feet by the warm, miraculous breath
of his horse.
And,
what is even more beautiful, is the fact that this poem, through his props,
has taken me back in time, making me see no one else but Bashō himself nearby
the trough, sliding down his narrow path towards the far north.
comment by Cezar Florin CIOBÎCĂ
translation by Ana DROBOT
|
Second Prize
after the war …
in a barrel of a tank
bird's nest
Zuzanna TRUCHLEWSKA
Łaziska Górne, POLAND
Everything
is recyclable. Less warlike beings find, fearlessly, unthought of purposes
for destructive machines. Undoubtedly, the ancestor of this story with
unpredictable meaning for the carefree birds is the flower, set as a call for
peace in the pipe of a soldier’s gun.
Beyond
the innocence of the birds that built their nest over there, the otherwise
pathetic happening is, for us human beings, an innocent reproach among other
things, “Why would you not build nests for us from the beginning? Don’t your
silly things cost you too much ?”
comment by Corneliu Traian Atanasiu
translation by Ana DROBOT
|
Second Prize
Harvest Day
the last cricket fills
my piggy-bank
Cristina APETREI
Botoşani, ROMANIA
The
first line places the poem in the autumn season, on a day when everyone, in a
rustic setting, celebrates the abundance, the joy of life, thanking God for
what was given to them.
Part
two brings into the foreground a cricket that sends references to the summer
rather than to the autumn. With the word last,
one can speculate that the narrative instance, tired or bedridden and waiting
for his end, is enjoying the inspiring presence of the singing cricket that fills
the piggy bank of his soul, in his last moments.
On
the other hand, the piggy-bank, naturally, leads us to think of a child who
cannot enjoy the feast day enough because he is missing something, not
necessarily the money. It is rather a hollow feeling perhaps caused, why not,
by the absence of someone dear. What a beautiful surprise at the end of the
poem, that highlights the harmony between macro and microuniverse. The song
of the little bard that fills his little piggy-bank, this miniature savings bank
brings the all too full comfort to the kid, and, to us, readers, it seems to
subtly convey the message that the material is not what counts, but rather
the spiritual, in any form of manifestation.
comment by Cezar Florin CIOBÎCĂ
translation by Ana DROBOT
|
Third Prize
morning cicada
a boy in the asylum
recites his prayer
Ramlawt DINPUIA
Aizawl, INDIA
Without
being the explicit expression of animism or pantheism, this haiku poem
integrates the reader into a universe in which all beings empathize and have
feelings and behaviors of godliness and piety. It is thus not something
incomprehensible that the humble humming of the cricket and the boy’s shy
prayer interweave in the blessed beginning of a day.
comment by Corneliu Traian Atanasiu
translation by Ana DROBOT
|
COMMENDATIONS
super blood moon
the scent of a woman
in red
Angelo B. ANC
Rizal, PHILIPPINES
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scattered sand ...
baby sea turtles return
to the stars
Pris CAMPBELL
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summer field ...
a farmer talks to his goat
while chewing a grass
Kanchan CHATTERJEE
Jamshedpur, INDIA
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oak woods ...
a woodpecker arranges
the night silence
Ivan GAĆINA
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winter dawn –
small refugee takes breath
in a tank car
Goran GATALICA
Zagreb, CROATIA
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other ships
and other sailors –
the sea is the same
Letiţia Lucia IUBU
Craiova, ROMANIA
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oh to have
the heron's hollow bones –
the weight of winter
Carole MacRURY
Point Roberts, THE UNITED STATES OF AMERICA
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Cherry-colored mist
rolls along curves and
valleys –
blind masseuse’s hands
David McMURRAY
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everything unchanged –
the rip in the curtain
woven by a spider
Dan NOREA
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a winter travelogue –
over distant glades I follow
the trail of a doe
Dragutin PASARIĆ
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hearing
aids –
birds
sing
anew
Valentina RANALDI
Fairlawn, THE
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SELECTED POEMS
Theresa A. CANCRO
Wilmington, THE UNITED STATES OF AMERICA
Erin CASTALDI
Mays Landing, THE UNITED STATES OF
AMERICA
Cherese COBB
Maryville, THE UNITED STATES OF AMERICA
Anne CURRAN
Hamilton, NEW ZEALAND
Małgorzata FORMANOWSKA
Wrocław, POLAND
John HAWKHEAD
Bradford on Avon, THE UNITED KINGDOM
Marilyn HUMBERT
Sydney, AUSTRALIA
Ron C. MOSS
Leslie Vale, AUSTRALIA
Pravat Kumar PADHY
Bhubaneswar, INDIA
Slavica SARKOTIĆ
Lekenik, CROATIA
Olivier SCHOPFER
Geneva, SWITZERLAND
Mariana TĂNASE
Brăila, ROMANIA
Maria Laura VALENTE
Cesena, ITALY
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